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The Black Stallion
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Features
 Closed-captioned
 Color
 DVD-Video
 Full Screen
 Letterboxed
 Widescreen
 NTSC

In Theaters : 17 October, 1979
DVD Release : 10 September, 1997
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The Black Stallion description
Adapted from the beloved novel by Walter Farley, this 1979 family classic was hailed by no less than hard-to-please critic Pauline Kael, who wrote that "it may be the greatest children's movie ever made." A visual feast from start to finish, the timeless tale of The Black Stallion plays out on almost mythic terms. A young boy survives a shipwrec ... review details
The Black Stallion Customer Reviews
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♥♥♥♥♥ MOST BEAUTIFUL OF HORSE MOVIES - PURE, IDYLLIC, INNOCENT
There is no film more perfectly innocent or pure than this film. There is nothing offensive or defiling about it. It is almost like visiting Eden, and is, in my opinion, what every film should be.

In spite of these remarkable qualities, there are other things about this film that are equally remarkable. For example, the horse that played the Black Stallion - Cass Ole - wasn't really black, and had to go through makeup each day. Kelly Reno, who plays Alec Ramsey, the boy the Black saves, and who rides him to fame and glory, had never acted before and does his own stunts. Corky Randall, the horse's trainer, was the son of Glenn Randall, Sr., who trained the horses for Ben-Hur. Carroll Ballard, director for the film, had never directed a feature film before, but was a talented cinematographer. His other best known film is Never Cry Wolf (1983).

This is one of Mickey Rooney's best performances as the ex-jockey who trains Alec to race, and he was nominated for an Oscar for Best Supporting Actor. Thirty-four years earlier, he trained Elizabeth Taylor's character, Velvet, to ride in National Velvet - also one of his most memorable performances. Teri Garr is good as Mrs. Ramsey, Alec's mother; and Clarence Muse is wonderful as Snoe, an old black man who befriends Alec and advises him to keep the Black wild. Of course, he doesn't, and, because of it, we're treated to one of the best racing scenes in film history.

The wedding of visuals and music make this one of the most beautiful films ever made, with Caleb Deschanel taking credit for the photography, for which he was nominated for various awards and won both the LA Film Critics and National Film Critics Awards. There is just enough dialogue to move the story along; but most of it is told through the gorgeous visuals. A stirring original music score by Carmine Coppola supports the cinematography perfectly, for which she, too, was nominated for various awards, including Golden Globe, and won the LA Film Critics Award. Robert Dalva was nominated for the Oscar for Best Film Editing. Francis Ford Coppola (Godfather) was executive producer.

For story and acting, National Velvet is probably the best horse movie ever made. But this is the most beautiful. It is pure beauty, as idyllic and innocent as the island on which the Black and Alec form their relationship. It is the kind of movie that makes you wish you were Alec, racing along the shore with his arms in the air, as free as a bird, on the back of his best friend, the most beautiful stallion in the world. That is what it's like to be totally alive.

Waitsel Smith
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