| I am not alone in checking out "When the Sky Falls" after watching the Cate Blanchett film "Veronica Guerin" since the 2000 film is a "fictionalized" account of the same story of the Irish reporter who was assassinated by mobsters in 1996. The obvious question was why would director John Mackenzie turn the real Veronica Guerin into the fictional Sinead Hamilton (Joan Allen). I did not know the answer until I watched the featurette on the "When the Sky Falls" DVD. Before her murder Veronica Guerin was collaborating with writing Michael Sheriden on early drafts of the screenplay. The idea was to tell a realistic story about the Dublin criminal underworld and at some point it became obvious that the story should be about a crime correspondent investigating the story; in other words, a character modeled on Guerin. However, the reporter insisted that her name not be used and even when she was murdered and the story of "When the Sky Falls" became her story, director John MacKenzie respected her wishes and kept the name change. The film was supposed to end with the reporter being honored for blowing the lid of the drug lords, but when Guerin was murdered the story by screenwriters Michael Sheridan and Ronan Gallagher changed to not only end with her death but explain why the mother of a young boy continued to investigate and write stories any being shot and repeatedly threatened. The story is about a journalist doing writing exposA s on the Dublin drug trade. One of her key sources, Mickey O'Fagan (Jimmy Smallhorne) is not to be trusted and Mackey (Patrick Bergin), the cop in charge of the investigation, is more than willing to break the rules to bring down the drug lord Dave Hackett (Gerard Flynn). However, what Mackey and the police think of Hamilton is not clear; it seems they run warm and cold on her. Then there is her husband, Tom (Kevin McNally), who knows it is pointless to try and stop her from doing her work, despite the danger, and the journalistic community that seems to be content to watch her from the sidelines. The performances are also solid enough, not that we would ever expect anything less from Allen, who has a more sainted version of the character to play than Blanchett. That distinction emphasizes that the key difference between the two films is not the details of the story but the meaning ascribed to them. The bottom line is that this film was not as effective. Perhaps it is because I know the basics of the story and there are several key scenes in "When the Sky Falls" that we saw in "Veronica Guerin." Mackenzie made the neo-classic Brit mobster movie "The Long Good Friday" two decades earlier and this film has the appropriate look, but when you compare those scenes you find his approach is much quicker, the scenes more abbreviated, and the violence more subdued than in Joel Schumacher's 2003 film. There is a sense in which we are rushing through some of these scenes. "Veronica Guerin" is a slicker film, which is not necessarily appropriate for the telling of this story, but "When the Sky Falls" fails to really take advantage of the grittier tack. You should check both of them out because you are not going to be able to go wrong with Allen or Blanchett in a leading role. Having seen both films my recommendation would be to watch "When the Sky Falls" first, not just because it came out first, but also because it is, to some degree, the fictional version and because I think it is the correct order for best appreciating the efforts of the two actresses. |