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Venus Beauty Institute
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Features
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In Theaters : 1999
DVD Release : 26 June, 2001
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Venus Beauty Institute description
The carefully unattached existence of working girl Nathalie Baye is suddenly upended when lovesick hunk Samuel Le Bihan introduces himself: "My name is Antoine and I love you." Set in a cute glass storefront with a neon pink and blue façade that could have sprung from a Jacques Demy musical, this bittersweet romantic drama was written for the ar ... review details
Venus Beauty Institute Customer Reviews
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♥♥♥♥♥ Great Romantic Comedy. Buy it if you love French movies.
venus BEAUTY institute' written and directed by Tonie Marshall, in French, with English subtitles, strikes one, on first viewing, as being like some other French movies where nothing of any real consequence seems to happen. The example which comes to mind is Jean Renoir's The Rules of the Game', one of the all time great movies, and yet not much happens except some intense interaction between the characters, and a seemingly inconsequential accident / murder (ambiguous).

While Audrey Tautou gets second billing on the cover, this is due entirely to her later successes. She plays a less important character than Mathilde Seigner or Bulle Ogier, who are billed below her.

For one who is not up on French cinema beyond Francois Truffaut's early classics, the great treat in this flick is the performance of Nathalie Baye, who does a job easily comparable to some other great French classics such as Katherine Deneuve and Jeanne Moreau. If this were not a Romantic Comedy', her role would be comparable to Diane Keaton's dangerous life in Looking for Mr. Goodbar'.

Like Rules of the Game' and Jules and Jim' and unlike the fantasies of Ingemar Bergman and Fredrico Fellini, the values in this movie grow out of the reality we see in these characters as they reflect, maybe, some of our own tendencies.

I was genuinely astounded at the number of films in which Ms. Baye has appeared (including some late Truffout works such as Day for Night'). It made me look forward to the pleasures of seeing more of their work, as her performance is what elevates this from a routine comedy to something on the level of Hannah and Her Sisters' or When Harry Met Sally'. And yet, it has a distinctly Gallic flavor that I suspect neither Woody Allen nor Rob Reiner could ever capture (although it would be very interesting to see Woody do a parody of a French comedy.)

Probably the most endearing invention is the basic venue of a Paris beauty salon whose products and services are probably only marginally effective in making women beautiful and staving off the ravages of age. And yet, Ms. Maye, who has appeared in movies since the 1970s seems to have that ageless quality of Madame Moreau.

Terrific flick!
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