Having read all the other reviews, I have to agree with the British reviewers. The ones who are American, give me strength, seem to be illiterate. Nothing wrong with not liking a program, but basic English might be nice. I'm American, and I cringed while reading their attempt at an opinion.
Preposterous as the storyline is, the narrative still manages to intrigue, the characters are enjoyable if a couple are not always believable, and the keen sense of atmosphere make it a totally delightful take on the Christie mystery. I'm an Agatha Christie fan, and an avid reader of mysteries/detective stories, especially the British ones. I read The Pale Horse years ago, but don't recall the plot. So I came to this version, relatively fresh.
I'm also dedicated fan of Dalziel & Pascoe mystery series, so it was also a treat to see the delectable Detective Pascoe (Colin Buchanan) on the other side of the law, with the suitably fluffy hair of the 1960s to boot. The whole 60s-era -- memorabilia, clothes, music and other set decor-- was subtle and cleverly evoked throughout the story. When Mark Easterbrook (Buchanan) is hit on the head for the second (!) time, he staggers to his feet, and leans against a poster advertising Chuck Berry. Likewise, a Lolita movie poster decorates his studio. Hermia's clothes and fake eyelashes are a hoot, and totally in character of the aristocratic Bohemian wannabe.
All the actors were excellent, although the Chief Inspector's obtuseness was too like Inspector Japp of Poirot fame for comfort -- the actor playing the role did what he could with it. Andy Serkis of Lord of the Rings fame was a delight, and the two key female roles well played.
Altogether, a two-hour entertainment well worth the watching.
Adrienne Jones |