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The Last Days of Pompeii
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The Last Days of Pompeii List Price: $19.98
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Features
 Black & White
 Closed-captioned
 DVD-Video
 Subtitled
 NTSC

In Theaters : 18 October, 1935
DVD Release : 22 November, 2005
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The Last Days of Pompeii description
Fresh off their monumental success with King Kong, producer Merian Cooper and director Ernest Schoedsack teamed again on The Last Days of Pompeii, another big-scale offering with a special-effects emphasis. Nominally based on the Bulwer-Lytton book, the film invents a new storyline much in the spirit of the Cecil B. DeMille religioso-melo ... review details
The Last Days of Pompeii Customer Reviews
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♥♥♥♥♥ Morality and Ashes.
Produced and ghost directed by Merian C. Cooper, THE LAST DAYS OF POMPEII is a morality tale loosely based upon minor events in Sir Edward George Bulwer-Lytton's novel THE LAST DAYS OF POMPEII. The film stars Preston Foster as Marcus, a simple blacksmith of Pompeii. Marcus is a happy man. He has a beautiful wife and an energetic young son. Though the family doesn't have much money, Marcus is happy at his chosen career and what he has is enough. The man in charge of the arena thinks Marcus would make a formidable gladiator, but he can't seem to convince him to abandon his job as a blacksmith for more money. Marcus' wife and son are tragically run over by a runaway chariot. Unable to pay for medical care because of his modest means his family dies. The loss of his family fills Marcus with despair and fuels an ambition to gain wealth. Thus the second act of the film begins as Marcus begins his new life as a gladiator.

Marcus becomes the finest gladiator in the land, an unbeatable opponent. After one fatal match, Marcus discovers the boy of his fallen foe. The child is now an orphan. Reminded of his own dead son, Marcus adopts the boy as his own. To secure the boys' future and to insure that he will not have to fight in the arena, Marcus begins taking suspicious and dangerous assignments that pay him extremely well and help him become the Master of the Arena itself. While on one of these assignments to Judea, Marcus' son, Flavius is struck down in a freak accident. The child is healed and that encounter changes the boy's life forever. Marcus is grateful, but he is still tainted by the greed and ambition birthed from the grief of his wife and first son. Years later it is revealed that Flavius has been helping slaves and gladiators escape from Pompeii. Marcus is crushed, but loves his son so deeply that he will do everything in his power to protect him. Then the volcano erupts and judgment comes.

Hoping to capitalize on the success of KING KONG, Merian C. Cooper invested a great deal of time and money into this picture. Watching the film one can tell that it was an expensive picture to make (at the time). The sets are lavish and are quite reminiscent of a Cecil B. de Mille picture. The movie has some of the same religious overtones and morality of a de Mille picture, too. But a Cecil B. de Mille picture this is not. The screenplay is basically a morality play forced into the usual three-act structure. Foster does a decent job in his role, but he and everyone else in the cast is outshone by Basil Rathbone who portrays Pontius Pilate. Rathbone brings an element of humanity that is often lacked in other portrayals of the famed leader. He illustrates that arrogance of Pilate, but tempers it with sensitivity and a tortured conscious over his dealings with Jesus.

When it was initially released, THE LAST DAYS OF POMPEII was a flop and the film had to be re-released several times (often as a double bill with King Kong) in order to earn back its cost. Over seventy years later, the movie hasn't changed much. It still comes off as being an average movie with one outstanding performance. For film buffs it's worth watching for Rathbone's performance. Anyone who likes big spectacle films might enjoy it as well as anyone who likes old-time Bible-type films.
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