The Greatest Story Ever Told' is magnificent. It has a classic sweep and splendor that lives up to its title. While there are some questional interpretations, and some scenes are unnecessarily plodding, the performances are strong and the crowd scenes are often rousing. Filmed in Utah, the cinematography gives grandeur to match the film. Max Von Sydow provides a proper transcendence as Jesus, and Charlton Heston demonstrates both passion and prudent understatement as John the Baptist. Honorable mention goes to Telly Savalas who gives the right ambiance to Pilate. Furthermore, Judas's portrayal as the conflicted betrayor has a proper subtlety even if his lines don't always match the character. ("I don't want the money," the apostle known for robbing the common purse, says.) Sal Mineo, Sidney Poitier, Donald Pleasance and a myriad of others also guest star. Even John Wayne makes a token appearance as the centurion that can be measured in seconds, making 'The Greatest Story...' the 'A Bridge Too Far' of Christian cinema.
George Stevens wrote, directed, and produced this epic. His technical aspects solidify a masterful treatment. However, one could quibble with his directing for making it too tame in places and for his screenplay's discrepancies. (In another example, Martha chastises Jesus, but in the Bible she says, "Even now you could bring him [Lazarus] to life.") While Stevens' interpretations substitute scripture in places, the raising of Lazarus, Jesus triumphal entry into Jerusalem, and his crucifixion give the spark of passion this venue deserves. Furthermore, implementing Handel's Messiah in key scenes is a masterstroke. All said and done, 'The Greatest Story Ever Told' is a reverent and relevant portrayal of Jesus and his life.
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