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Puccini - Manon Lescaut (remastered) dvd movie.
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Puccini - Manon Lescaut (remastered)
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Puccini - Manon Lescaut (remastered) List Price: $29.98
Our Price: $18.97
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Features
 AC-3
 Dolby
 DTS Surround Sound
 NTSC
 Subtitled

In Theaters : 1980
DVD Release : 09 May, 2006
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Puccini - Manon Lescaut (remastered) Customer Reviews
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♥♥♥♥ Great Production, Poor Video
"A woman like Manon can have more than one lover", this is a statement made by Puccini when he decided to write his opera of "Manon", facing the already universally successful "Manon" by his French predecessor Massenet. Distinctively, he brought out his Manon with innocence, vanity, and cupidity, and Des Grieux, Manon's passionate lover, with Italian blood.
There is an abrupt jump from Act I to Act II, which may result in discontinuity of Manon's characters, as well as her love to Des Grieux. But as it goes on and as Puccini's music gets more deeply into the agony of the lovers, it gets better. In Act III the emotion has reached its hilt when Des Grieux sings his desperate pleading "Guardate, pazzo son", begging the captain to let him aboard with Manon. The strong dramatics then carries on and gets intensified in Act IV, and ends on Manon's tragic death and Des Grieux's helpless sobbing.
Soprano Reneta Scott, who sings Manon, is impressive in singing. Giving the best performance in Act IV, she is amazing in her vocal power, in forte or in piano. But portraying an eighteen-year-old character, Scott needs more than she could in order to be convincing. She delivers Manon with accuracy, if not vividness.
Although it is the story of Manon, on the stage of Met shines the brilliant Des Grieux, played by Domingo. His voice is lighter and brighter, and yet, more expressive, and his big outbursts are wallop. He looks young and lean, and his acting is full of feeling. Act IV is purely Pucinni with great intensity. Domingo portrays desperation and rage brilliantly. His sobbing is heartbreaking.
One big problem with this DVD is its video and audio quality. Almost every motion on the screen has a ghost tail following behind, somewhat distracting, and at times, annoying. The audio is not as bad as video, but just acceptable. What a pity that this production couldn't be caught on camera with the same sharpness as the opera itself!
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