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The Wedding Night
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The Wedding Night List Price: $19.98
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In Theaters : 1935
DVD Release : 22 May, 2007
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The Wedding Night description
One of the lesser-known satisfactions in Gary Cooper's career is this 1935 King Vidor film, an offbeat blend of romance, comedy, and tragedy. It begins in screwball territory: Cooper plays a novelist whose partying ways have stalled his career and made his new manuscript unpublishable. He and wife Helen Vinson like the high life (any resemblance to Sc ... review details
The Wedding Night Customer Reviews
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♥♥♥♥♥ Tender and Mature
This tender and mature film from director King Vidor is one of the great forgotten films of the 1930's. There is a sensitive and romantic light hanging over every frame, as though Vidor turned the lamplight low, letting its warm, soft glow set the mood for a rich story of tragic love.

Alfred Newman's lovely score and Gregg Toland's photography gave Anna Sten a chance to truly shine opposite Gary Cooper. Her Manya is sweet and endearing, and it is sad that Goldwyn misused her by trying to make her into another Garbo. She is both funny and charming, and with a gift for conveying emotion on the inside while attempting to mask her feelings.

Edwin Knoff's original story of a writer in need of more inspiration and a lot less boozing returning to his country home in Connecticut has real depth. It doesn't opt for easy answers to lives gone astray. Love's redeeming power, and our connection to the earth, themes running through many of Vidor's works, are important elements in Edith Fitzgerald's screenplay.

Gary Cooper is quite wonderful as the writer who can't get published anymore returning to his home, his New York wife in tow. Helen Vinson lends great support as his wife Dory, and makes her sympathetic even when she leaves Tony (Cooper) and returns to the city for a time. It will prove to be a huge mistake, bringing about tragedy.

Tony finds both solice and inspiration in his lovely Polish neighbor, Manya (Anna Sten). Her gentle presence gives birth to "Earth's Return," a novel he reads to her by the fire. Her smile and gentle laughter is soothing to his soul, and soon there is a deep and unspoken love blooming.

Standing in their way, however, is her traditional Polish family, who have arranged a marriage for her, and his returning wife, who really loves Tony but is not sure how to hang on to him. This is a rich and mature film of a man adrift and the love which brings his soul back to life, with tragic consequences. Filled with warmth and humor, there is a something real about it. A farewell reminiscent of the final scene in Borzage's "Three Comrades" is not soon forgotten.

This is a lovely film from the 1930's which has the maturity of foreign films made decades later. Perhaps only when "The Stranger's Return" and "H.M. Pullman Esq." find a release, will King Vidor's standing as an important figure in American film finally be realized. A tender masterpiece.
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