A.I. - Artificial Intelligence (Widescreen Two-Disc Special Edition) buy bestselling dvd movies, videos find reviews, ratings, prices
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Features
• Closed-captioned
• Color
• Dolby
• DTS Surround Sound
• DVD-Video
• Special Edition
• Subtitled
• Widescreen
• NTSC
In Theaters : 2001
DVD Release : 05 March, 2002 |
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A.I. - Artificial Intelligence (Widescreen Two-Disc Special Edition) description
History will place an asterisk next to A.I. as the film Stanley Kubrick might have directed. But let the record also show that Kubrick--after developing this project for some 15 years--wanted Steven Spielberg to helm this astonishing sci-fi rendition of Pinocchio, claiming (with good reason) that it veered closer to Spielberg's kinder, gentler sensibilities. Spielberg inherited the project (based on the Brian Aldiss short story "Supertoys Last All Summer Long") after Kubrick's death in 1999, and the result is an astounding directorial hybrid. A flawed masterpiece of sorts, in which Spielberg's gift for wondrous enchantment often clashes (and sometimes melds) with Kubrick's harsher vision of humanity, the film spans near and distant futures with the fairy-tale adventures of an artificial boy named David (Haley Joel Osment), a marvel of cybernetic progress who wants only to be a real boy, loved by his mother in that happy place called home. Echoes of Spielberg's Empire of the Sun are clearly heard as young David, shunned by his trial parents and tossed into an unfriendly world, is joined by fellow "mecha" Gigolo Joe (played with a dancer's agility by Jude Law) in his quest for a mother-and-child reunion. Parallels to Pinocchio intensify as David reaches "the end of the world" (a Manhattan flooded by melted polar ice caps), and a far-future epilogue propels A.I. into even deeper realms of wonder, even as it pulls Spielberg back to his comfort zone of sweetness and soothing sentiment. Some may lament the diffusion of Kubrick's original vision, but this is Spielberg's A.I. (complete with one of John Williams's finest scores), a film of astonishing technical wizardry that spans the spectrum of human emotions and offers just enough Kubrick to suggest that humanity's future is anything but guaranteed. --Jeff Shannon |
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A.I. - Artificial Intelligence (Widescreen Two-Disc Special Edition) Customer Reviews
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♥♥♥♥♥
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A Masterpiece Sci-Fi movie - one of the best ever.
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Somehow I missed this movie and it wasn't until a woman I met (who works on robots in a University Research Department in Seattle) recommended it to me after I told her about Bladerunner (another masterpiece Sci-Fi).
A.I. immediately became one of my favorite movies. The movie is so rich and packed with deep philosophical questions on topics such as love, dreams, happiness, etc. The acting is phenomenal. It's one of those movies where you would not want to see any character replaced because you fell in love with them and each character became so "real". The movie just kept developing and getting better. A.I. is definitely well underrated.
A.I. appeals to human emotions in a very special way. I was moved many times throughout this movie. It opens up doors to the reality of life and human nature. Jude Law as Joe and Haley Joel Osment as David (both robots) are unforgettable, and the dialogs they have are powerful. David argues for the innocent side of human nature that chooses to ignore reality and pursue a dream that is a pure fairy tale. Gigolo Joe fires back with a reality check in an effort to win David to his cause, perhaps with the hope have David alongside fighting for their own survival (the survival of robots) against humanity who is trying to destroy the "artificial beings".
David ends up saying "goodbye Joe" with an acting that demonstrates his understanding of what is happening and yet his choice to go pursue his dream which subconsciously he knows cannot be attained. So many of us can relate to this. Perhaps David knows that if he does not pursue his dream he has no reason to go on living. He is not motivated to fight the humans as Joe is because he was programmed to love his mother, so that is what he does. We humans are also programmed to do certain things and follow our dreams, as articulated in a dialog later in the movie by Prof. Hobby, who created David.
So David goes on pursuing his dream even though logic demonstrates that he cannot attain it. Or maybe he can? Maybe anything is possible? Maybe the realization of our dreams are not exactly how we imagine it to be? This is a powerful way that carries the movie to the end. David, who is a robot, still functions after 2,000 years have passed and when "revived" by the more advanced Robots that survived the ice-age, is still trying to become human or a "real boy", so he can win the love of his mother. This finally happens in a brilliant and unexpected way. He gets to spend a day with his mother, just him and her, in scenes that are very moving. This could be interpreted as a dream fabricated by the collective input of all the advanced robots that are present creating this "matrix world" based on information that was stored in David's "mind" from when he lived in the house with his parents. This day with his mother could be interpreted as a dream, but isn't life itself a dream? I think that ultimately we know that our lives are nothing but a dream, and yet we choose to think that it is real just as David did with his mother, for the pure enjoyment of those rare momemnts. When we realize how precious each moment of our life is, that is when we can truly enjoy each moment. That is when we are awake as opposed to unconscious (a paradox here). This is truly not a movie written for the entertainment of the masses, and perhaps that is why it has not gotten enormous appeal. Many aspects of the movie are unpleasant and hard to swallow, such as Manhattan covered by seawater due to global warming. This is not a typical Hollywood movie with the formula of happy ending that makes everyone feel good at the end.
Stanley Kubrick may be gone, but his work still lives. Steven Spielberg is still alive and many of us hope that he will continue to create movies like this that gets the viewer thinking and perhaps transformed, instead of the typical formula that works to entertain the masses and earn money in the box office. Stanley Kubrick may be gogne, but his spirit still lives through his work and the masterpieces he's created. I have yet to wath 2001 Space Odyssey, but other powerful movies such as Dr. Strangelove and even Full Metal Jacket are cult classics. A.I. is another example of the precious gifts we would get if Kubrick were still alive and making movies.
I recommend A.I. to anyone who enjoys philosophical topics, anyone who wants to expand his or her mind, anyone who likes to look at human life in the big scheme of things, and what could happen not just in our lifetime but in 2,000 years or more. A.I. is a powerful movie packed with great material and superb acting, a modern Sci-Fi piece that has become one of my favorites of all time.
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