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Big Momma's House
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Big Momma's House

Features
 Anamorphic
 NTSC

In Theaters : 02 June, 2000
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Big Momma's House description
No one tries very hard in Big Momma's House, so your enjoyment of this Martin Lawrence vehicle pretty much depends on how much amusement you're able to derive from a guy dressed up as a very ample woman. The setup is of the eye-rolling, only-in-Hollywood nature: Lawrence, as detective Malcolm Turner, is after a killer, and apparently the only way to capture him is to pose as the bad guy's ex-girlfriend's grandmother, who--the film cannot stress this point too much--is quite large.

Apparently, Sherry (Nia Long), the young woman in question--she's as attractive as Big Momma is, well, you know--is none too bright, for she falls for Malcolm's ruse, which of course ostensibly amuses mainly because it's so transparent. She at least has an excuse--she hasn't seen Big Momma in two years--but Big Momma's oblivious friends must be functional morons. Screenwriters Darryl Quarles and Don Rhymer didn't tax themselves very much, as they have Malcolm-as-Big-Momma going through fairly predictable motions--botching a meal and delivering a baby unconventionally (Big Momma's a midwife), but ruling at basketball and self- defense and protecting Sherry while trying vainly not to flirt with her. Paul Giamatti is wasted as Malcolm's partner; director Raja Gosnell's clunky sense of comic rhythm is bewildering, because he used to be an editor (he brought a similar lack of magic to Home Alone 3).

Lawrence won't have anyone forgetting Tony Curtis and Jack Lemmon in Some Like It Hot, Dustin Hoffman in Tootsie, or Robin Williams in Mrs. Doubtfire anytime soon. Big Momma's House benefits mainly by being first to the marketplace ahead of Eddie Murphy's The Nutty Professor 2: The Klumps; Murphy's work in prosthetics is far more accomplished, versatile, and funny. --David Kronke

Big Momma's House Customer Reviews
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♥♥♥♥ Big Momma Doubtfire!
Big Momma's House is far more entertaining than some of the reviews would indicate. Yes, the plot is almost impossible: an FBI agent who is forced to disguise himself as a very large grandmother, in order to track down an escaped killer.

But the film has so many enjoyable scenes. Who can forget lovely Sherry (Nia Long), asking if Big Momma (Martin Lawrence) has another flashlight? The makeup and body padding make Martin Lawrence an awesomely agile grandmother. His basketball back-dunk is something we would all love to see grandmothers be able to do. It's kind of like when we wish we had super powers.

I can't spoil it for you, because there are just so many memorable scenes: like detective Malcolm caught in a tree branch as he slowly sags out of his "granny suit." Or when he somersaults, breaking through the front window, shyly commenting, "I forgot my keys." Or when the reverend (Cedric the Entertainer) discourages Big Momma from talking too much about what happened in the back of an El Camino.

OK--it's kind of kitsch--but it's a whole lot of fun. It will not be considered the greatest movie of the twentyfirst century, but it is an escapist romantic comedy and lots of fun. If you liked films like Mrs. Doubtfire, you'll really like this. Relax and enjoy it.
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