Dementia/Daughter of Horror dvd movie.|
Dementia/Daughter of Horror buy bestselling dvd movies, videos find reviews, ratings, prices |
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List Price: $29.95 Our Price: $26.99 You Save: $2.96 Features • Black & White • DVD-Video • NTSC In Theaters : 22 December, 1955 DVD Release : 17 October, 2000 |
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Dementia/Daughter of Horror description Floating somewhere in the netherworld of B-movie exploitation and art house psychodrama, John Parker's ambitious dream film of a schizophrenic's nightmarish existence is nothing if not unique. For years only available in the altered version Daughter of Horror, this unique bit of Freudian horror has been something of a holy grail for cult film buffs. Kino has uncovered the original cut and restored it to near-pristine condition. Shot entirely without dialogue or narration and filled with suggestive violence and psychosexual imagery, it's like a skid row expressionist thriller following the nocturnal prowling of a young woman haunted by homicidal guilt. Parker can't quite match his lofty ambitions with gripping drama, but he makes up for it with sheer audacity, from home-life flashbacks staged among the gravestones of a misty cemetery to the creepy faceless crowds that follow our tortured heroine through the city. Imaginative sets and vivid effects belie its starvation budget and create a strikingly austere urban mindscape and the eerie score by composer George Antheil (with wordless vocals provided by Marni Nixon) sets an unnerving mood. Handsomely shot by William C. Thompson (Ed Wood's regular cinematographer--say what you will, Wood's pictures look good), it's like nothing else from the 1950s. The DVD also features the alternate version Daughter of Horror, which was released to the drive-in and grind-house circuit and has narration by Ed McMahon. Only a few shots have been excised to please censors, but the cheesy narration delivered with affected doom transforms the entire tone of the piece. Also featured among the supplements is the essay "Dementia: A Case Study," a well-researched and informative production history supplemented by reproductions of original letters, contracts, and industry documents. --Sean Axmaker |
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| ♥♥♥♥♥ | Flawed yet fascinating film; DVD has everything you need |
| Like others, I had read about this film for years, and seen the clips in The Blob, but never actually saw the whole movie until buying this DVD. It's such an anachronism, coming from the early 1950s, that it took a couple of viewings for me to be able to be objective about it. Compared to 99% of movies of its time it's quite avant-garde, from it's lurid content to its circular, dreamlike story structure, its complete lack of dialogue, expressionist use of photography and locations, Freudian symbolism, etc. There are moments of brilliance, and comparisons to Bunuel, Cocteau, Lynch, and Welles are not wholly unwarranted. (Is it possible that David Lynch never saw the 'chicken eating' scene?) On the downside, it suffers in some of the same ways that other low-budget indies of the time do, particularly in the pacing and the acting. The female lead in particular (the director's neice) just doesn't have any charisma whatsoever, and she and others mug broadly at times, attempting to convey emotion and plot without words. This could have been a landmark film with a capable actress in the lead. As it is, it's an extremely interesting experiment that also holds up to multiple viewings. John Parker definitely gets an A for effort, daring, and vision. The execution's just a little uneven. Kino's DVD presents both the silent, unedited Dementia and the minimally narrated, edited Daughter of Horror. I found the narrated version not necessarily much worse (except of course for the cuts) but just different in tone, more 'campy.' Purists will probably stick with the original cut. The supplements include a trailer (for Daughter of Horror), still gallery, and detailed production history. The prints show some light speckling, but otherwise exhibit very good tonal values, sharpness, and detail. This movie is not for everyone, but if you're into avant-garde, film noir, B&W 50s indies, exploitation, or offbeat horror you'll probably find it rewarding. |
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