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Let the Devil Wear Black dvd movie.
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Let the Devil Wear Black
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Let the Devil Wear Black

Features
 PAL

In Theaters : 1998
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Let the Devil Wear Black description
"There's something rotten in the City of Angels," claims the video box. Sure enough, under the dysfunctional dealings of a family business is the story of Hamlet retooled for the twilight world of nocturnal L.A. Jack (Jonathan Penner, who cowrote the screenplay with director Stacy Title) is spending a joyless break from graduate school to deal with his father's sudden death. He's disconnected from his unstable lover (Mary-Louise Parker), the daughter of family lawyer Philip Baker Hall, and his mom (Jacqueline Bisset), a withdrawn alcoholic who has let his "2-watt" Uncle Carl (Jamey Sheridan) manage the family fortune. When a mysterious figure tells him that Carl murdered his father, Jack's unsettled feelings are thrown into a restless rage. This official Slamdance 1999 selection is never as moving or insightful as Michael Almereyda's Wall Street Hamlet with Ethan Hawke, but Title makes the most of this free adaptation, and drives the film with the simmering energy of a frantic, wound-up hero. It's surprising how well the story lends itself to the double-crossing and devious betrayal of modern neo-noir, only periodically stopping for a Shakespearean rumination (the "Alas, poor Yorick" speech becomes a meditation on a skull fragment, the remains of a brutal execution-style murder). Title makes the fatal architecture of Shakespeare work beautifully and unpretentiously in a modern context, creating a modest but satisfying gritty little thriller. --Sean Axmaker
Let the Devil Wear Black Customer Reviews
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♥♥♥♥♥ Interesting, yet stick with Hamlet
Although the title of Stacy Title's 1999 film noir reinvention of the great bard's Hamlet may be the best thing about the film, it at least makes for an interesting viewing. Title takes Shakespeare's classic and updates it to a sleazy, dark, hot and decadent modern LA (which when you think about it, is not much a stretch). It's a well made film with some very creative, if not haunting flashback and dream sequences. The cast and their performances, for the most part is top notch. In small roles, Jacqueline Bisset and Mary-Louise Parker shine. Parker, who plays the drug and dog food sampling Julia/Ophelia, is the most sympathetic character in the film among a company of sociopaths, drug dealers, criminals and complete losers.

There lies the problem with the film. The characters are for the most part so unlikable, that one could almost care less if Jack (played deliberately over the top by Jonathan Penner) ever avenges his father's suspicious death. In fact, several times during the viewing I was hoping Title would break with Shakespeare and bump off Jack. His "love" scenes with Parker are crude and unaffectionate, making him even more unlikable. Penner's portrayal can be fun at times, yet it's hard to be compassionate or relate to a guy like Jack (unless maybe you are filthy rich, obsessed and have a fetish for sex in restrooms). When sleazy characters are well written, as they are in Scorsese's films, the audience can get to know, like them, even root for them. Here, they are shallow, heartless, almost totally unattractive, stupid at times and rather uninteresting (no, I did not like them). The climax is overblown and ridiculous. Fortunately and thankfully, few are left alive at the film's conclusion.

Still, despite all the flaws. I can't help but recommend the film for film noir fans or those who are looking for "something different" as the filmmaking itself is interesting and well done. With a better script and well-developed characters, it could have been a very good film. However, for great writing, stick with old Bill's Hamlet

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