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Dolemite
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In Theaters : July, 1975
DVD Release : 19 March, 2002
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Dolemite description
Who's the baddest motherf****r to blow onto blaxploitation screens? Forget Shaft and just ask X-rated comic and "godfather of rap" Rudy Ray Moore. He'll give you the gospel of Dolemite. Street hustler, pimp, and all-around ghetto superhero Dolemite began life as a character in Moore's nightclub act and was a natural character for his self-financed film debut, a revenge tale set on the corrupt streets of L.A.

Dolemite is sprung from prison by an impossibly understanding warden so he can find the drug-dealing, gun-smuggling crooks who framed him. With the help of his all-girl army of kung fu killers and the most flamboyant wardrobe this side of Cher, he lays waste to dozens of bad guys while spouting his funky raps. Thick, slow and sleepy, Moore is neither a natural actor not a convincing martial arts action hero, but his lazy line deliveries are great, lyrical cascades of four-letter words and "ghetto expressions," and he performs two of his most famous stand-up raps, "Shine and the Great Titanic" and "The Signifying Monkey."

Dolemite is not a particularly competent movie--the direction (by costar D'Urville Martin) is clumsy, the performances flat, and microphones peek in from time to time (get that video letterboxed, Xenon!)--but the outrageous mix of nightclub rap, kung-fu action, and Moore's four-letter dialogue turned it into an instant urban hit and has kept it alive as a cult classic. Dolemite returns in The Human Tornado. The DVD also features clips from the documentary The Legend of Dolemite and the complete lyrics to his raps. --Sean Axmaker

Dolemite Customer Reviews
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♥♥♥♥ Subtle and Thought Provoking Excellence in Filmmaking
Hah! Made you look. Actually, Dolemite is one of the least competently movies ever made. Zero production values. Even the music sucks. How'd they manage bad music in a 1970's black movie? Almost a parody of the blaxploitation genre & a one movie clinic on the shortcomings of single shot filmmaking. Compared to Dolemite's display of air-karate, Sweet Sweetback... should have won the Best Picture Academy Award. Rudy Ray Moore is the black Marlon Brando as he practices the woefully underappreciated art of "acting without acting". He brilliantly demonstrates how a man can be the ultimate mack daddy while sweating copiously & without being buff, attractive, debonair, tough, smart or eloquent. He is the anti-Ali and he still commands respect. Almost all the actors, white & black, seem either high or drunk as they woodenly mumble their way through unpolished dialogue and stumble around in undirected scenes. The dialogue itself has to be heard to believed. If it weren't for swearing and incomprehensible MFer laced putdowns, Dolemite wouldn't have much of anything to say. The pimp outfits, the pimpmobiles, the pimps, prostitutes, druggies, & self-loathing & hate filled dialogue all combine to portray blacks in the absolute worst light humanly possible. Impossible to take seriously and enjoyable by anyone who has a sense of humor and loves a great bad movie. Watch it high.
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