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Festival! - The Newport Folk Festival dvd movie.
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Festival! - The Newport Folk Festival
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Features
 Color
 Compilation
 Dolby
 DTS Surround Sound
 DVD-Video
 Live
 Subtitled
 NTSC

In Theaters : 18 October, 2005
DVD Release : 18 October, 2005
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Festival! - The Newport Folk Festival description
It's the big names--like Bob Dylan, Joan Baez, Pete Seeger, Johnny Cash, and Peter, Paul & Mary--who command most of the attention, but they aren't what director-producer Murray Lerner's Festival!, a 97-minute, black & white chronicle of the Newport (Rhode Island) Folk Festival in 1963, '64, and '65, is really all about. In fact, while those artists were the face of that era's folk boom, their music hasn't aged especially well; with the exception of Dylan (who appears both solo and with the Paul Butterfield Blues Band, who helped him break the sound barrier in '65) and Cash, their songs were so earnest, their delivery so pristine and humorless, that these days they evoke squirm-inducing parallels to Christopher Guest's folk satire A Mighty Wind. It's the clips of, say, the Blue Ridge Mountain Dancers, with their virtuoso square dance moves; the high, lonesome bluegrass of the Osborne Brothers; the deep gospel of the Georgia Sea Island Singers and the Staple Singers; the down home Delta blues (or, as he spells it, "b-l-u-s-e") of Son House, or even the astonishing Cousin Emmy, who plays "Turkey in the Straw" on her cheeks, that remind us that "folk" encompasses a great deal more than protest singers strumming acoustic guitars. As for Lerner's stated intention to "make a film about something bigger than music… a film that was an expression of this new culture," sure, whatever; there are plenty of interviews with artists and concert-goers alike to back that up. But Festival! revolves around the music, and therein lies its major flaw: namely, the lack of complete performances of any songs, which reduces the film's status from essential to merely interesting. --Sam Graham
Festival! - The Newport Folk Festival Customer Reviews
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♥♥♥♥♥ An era of care for the common man galvanized by folk singer activists.
Prior to the assassinations of John, Robert, Martin and Malcolm, there was an optimistic generation that believed they could make a difference. These were the songs. This was the festival. I am grateful to have grown up through those times.
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