Nunn's vision, conveyed by an unusually talented cast, is constantly touching and rises to overwhelming intensity at climactic points. For example: the crap game and fight that end in Robbins's death, the hurricane scene, Crown's capture and abuse of Bess on Kittiwah Island, Porgy's fight with Crown, the comically sinister antics of Sportin' Life, the double-edged pathos and absurdity of the scene in which Bess gets "divorced," and the electrifying conclusion, when Porgy throws away his crutches and sets out, naively, to find Bess in New York.

Musically, Simon Rattle and all the performers find the exact style for Gershwin's marvelous score--not only such big numbers as "Summertime," "Bess, You Is My Woman Now," "I Loves You, Porgy," "I Got Plenty o' Nuttin'," "It Ain't Necessarily So," "I Hates Your Struttin' Style," and "O Lawd, I'm on My Way," but such smaller items as the exquisite cries of the street vendors of honey, strawberries, and crabs. There are no weaknesses in the cast. Willard White and Cynthia Haymon are ideal in the title roles, Gregg Baker is a terrifying, larger-than-life Crown, and Damon Evans is a properly slimy Sportin' Life. The white police officers are splendidly repulsive. --Joe McLellan