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Hardcore
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In Theaters : 1979
DVD Release : 14 September, 2004
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Hardcore description
Although it never achieved the classic status of Martin Scorsese's Taxi Driver or the greater critical acclaim of his own Blue Collar, Hardcore remains a vital film from the early career of writer-director Paul Schrader. It's a solid companion piece to Taxi Driver (and uses much of the same crew, including cinematographer Michael Chapman), with a similar descent-into-hell storyline. Schrader's strict Calvinist upbringing in Grand Rapids, Michigan, provides the semi-autobiographical launching point for a journey into the dark heart of pornography and prostitution, beginning when a stern, morally upright Calvinist father (George C. Scott) learns that his teenage daughter has vanished during a church-sponsored visit to California. She's a runaway on a rapidly downward spiral, and Scott recruits a sleazy private detective (Peter Boyle) and a sympathetic porno-actress (Season Hubley) to try and find her. Although Schrader's much-criticized ending doesn't ring entirely true, there's much to admire here, from Scott's memorably anguished performance to the vivid authenticity of the film's seedy, threatening locations and the conflicting moral issues raised in an atmosphere of hopeless depravity. As its title suggests, Hardcore is a potent, uncompromising film, definitely not for prudes or underage viewers. --Jeff Shannon
Hardcore Customer Reviews
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♥♥♥♥♥ an investigation in two "hardcore" worlds
In this movie, we see the dichotomy and similarities of people who live "hardcore."

First we see the "hardcore" world of straightlaced Jake VanDorn (George C. Scott.) He lives in a world so structured that everything in his life is alphabetized in his hardcore religious faith. It is such a world that drove away his wife and drove away his daughter to seek warmth in another world equally as hardcore- the sleazy world of the sex industry.

These two worlds collide in the movie "Hardcore." The worlds are completely alien to each other. There is no compromise in either of the worlds. Although the whore Scott befriends and uses (Season Hubley) attempts to draw similarities in these worlds, (Jake feels so little about sex that he dose not even do it and she feels so little about sex that she dose not care who she does it with,) both attiudes are extremely jaded.

You get the feeling of nostalgic timebase in this movie. This was before the videotape and internet sex revolution. This was the times of the smaller church congregations, before the 10,000 seat megachurches. This was before the times when men could see on the satellite television what used to be shown in peepshows and 8 mm films.

lots of symbolism was shown in this film. My favorite example was after the snuff film producer "Rattan" was shot. He stumbles down the sidewalk bleeding to death then smashes his head in a window display of a porn theater. The next window display has a pornographic image, and the writing above it "love act". Could it portray the death of Rattan as a love act in his twisted world?
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