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Havoc (Unrated Version)
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Features
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In Theaters : 2005
DVD Release : 29 November, 2005
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Havoc (Unrated Version) description
After making her name in The Princess Diaries, Anne Hathaway takes a radical detour with this edgy independent drama. As Allie, a wealthy gangsta wannabe, she makes no excuses for her delinquent behavior: "We're just teenagers and we're bored." When her Pacific Palisades posse, including pal Emily (Bully's Bijou Phillips), starts hanging out with a Latino gang (including Six Feet Under's Freddy Rodríguez), they learn what thug life is really about. Hathaway couldn't be more game: She swears, she fights--she disrobes (several times). Written and directed by Oscar winners Stephen Gaghan (Traffic) and Barbara Kopple (American Dream), Havoc plays like a B movie, in the vein of the superior crazy/beautiful, and was released straight to video. For Hathaway fans, it's a chance to see this young talent in a very different light, but for Gaghan and Kopple followers, this lurid morality tale is sure to come as a letdown. --Kathleen C. Fennessy
Havoc (Unrated Version) Customer Reviews
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♥♥♥♥♥ Lacks... almost everything, really.
Havoc (Barbara Kopple, 2005)

Havoc, oddly, finds itself in the unenviable position of being a character-driven movie whose characters are not strong enough to survive without a plot. The end result, as one might expect, is sometimes intriguing, but that's not enough to battle the boredom of the rest of the movie's running time.

There isn't much of a plot, as it's a character-driven movie, but what there is is that a bunch of gangsta wannabes get mixed up with a real East LA drug dealer. This begs the question: if gangsta wannabes are deeply annoying in real life, why would anyone want to watch an hour-and-a-half movie about them? Even the prodigious acting talent of Joseph Gordon-Levitt and the toplessness of Anne Hathaway can't save this, perhaps because neither (the only two interesting things about the movie) get nearly enough screen time. Levitt, at least, seems to be having some fun with his character, while all the other white males come off as Eminem wannabes, the Hispanics in the movie are all walking stereotypes, and the women are there to provide supporting material-- even though two of them (Hathaway and Bijou Phillips) are in the lead roles.

I'm not sure why I haven't learned yet; I haven't liked a Stephen Gaghan screenplay since Rules of Engagement seven years ago. Maybe this will finally be enough to convince me he's the screenwriting equivalent of post-1990 Joel Schumacher. *
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