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Features
• Closed-captioned
• Color
• DVD-Video
• Subtitled
• Widescreen
• NTSC
In Theaters : 2002
DVD Release : 17 September, 2002 |
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Hollywood Ending description
With Hollywood Ending, Woody Allen good-naturedly bites the hand that feeds him. The modern studio system is a ripe target for Allens rapier wit, but the veteran writer-director goes a delicious step further by playing a has-been filmmaker who suffers from psychosomatic blindness--during the production of his big-budget comeback! Rather than sabotage his career, he proceeds to direct the film with guidance from his Chinese cinematographers translator, telling his agent (played by another veteran director, Mark Rydell) while hiding the truth from his ex-wife and producer (Téa Leoni), her studio honcho husband (Treat Williams), and his ditzy actress girlfriend (Debra Messing), who has a small role in the film. Chaos ensues--and so does Allens predilection for casting much-younger female costars--but Hollywood Ending favors a more contemplative blend of comedy and drama, peppered with memorable punch lines and blessed with, yes, a Hollywood ending thats as entertaining as the mayhem that precedes it. --Jeff Shannon |
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Hollywood Ending Customer Reviews
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NYC-LA Culture Wars, Part II
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As I noted in a review last year of Woody Allen's classic Annie Hall, that is among other things a defense of New York City as the cultural epicenter American culture such as it is, this is matter that has preoccupied him from early in his career as a director/ writer/actor/comic. Allen is the quintessential New Yorker so one knows where his sledge hammer will fall. In the current movie under review Hollywood Ending that same premise underlies his story line as he, once again, portrays on screen the trials and tribulations of trying to maintain some kind of artistic integrity in the world of Hollywood commercial filmmaking.
The plot here centers on Allen's character Val Waxman, an aging has-been director given another chance by, of all people, his ex-wife getting paralyzed by the prospects to such an extent that he has become temporarily blind. Nevertheless in the interest of comedy and his career (and their careers, as well) Val and his friends con their way through the filming of the remake of a 1940's film about New York City that is to be the key to his comeback. Along the way Allen gets to get his licks in on Hollywood culture, commercial filmmaking and the funny premise that commercial films are so dumb, for the most part, that a blind man is entirely capable of making a bad film, just like most other directors. Interesting film and, as always, full of autobiographical references, Allen's trademark cerebral humor and his extensive use of sight gags. Well worth a look see.
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