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Features
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• Widescreen
• NTSC
In Theaters : 14 December, 2207
DVD Release : 15 April, 2008 |
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Juno description
Somewhere between the sharp satire of Election and the rich human comedy of You Can Count On Me lies Juno, a sardonic but ultimately compassionate story of a pregnant teenage girl who wants to give her baby up for adoption. Social misfit Juno (Ellen Page, Hard Candy, X-Men: The Last Stand) protects herself with a caustic wit, but when she gets pregnant by her friend Paulie (Michael Cera, Superbad), Juno finds herself unwilling to terminate the pregnancy. When she chooses a couple who place a classified ad looking to adopt, Juno gets drawn further into their lives than she anticipated. But Juno is much more than its plot; the stylized dialogue (by screenwriter Diablo Cody) seems forced at first, but soon creates a richly textured world, greatly aided by superb performances by Page, Cera, Jennifer Garner and Jason Bateman as the prospective parents, and J.K. Simmons (Spider-Man) and Allison Janney as Juno's father and stepmother. Director Jason Reitman (Thank You For Smoking) deftly keeps the movie from slipping into easy, shallow sarcasm or foundering in sentimentality. The result is smarter and funnier than you might expect from the subject matter, and warmer and more touching than you might expect from the cocky attitude. Page's performance is deceptively simple; she never asks the audience to love her, yet she effortlessly carries a movie in which she's in almost every scene. That's star power. --Bret Fetzer Get to Know Juno's Cast  Ellen Page (Juno MacGuff) |  Michael Cera (Paulie Bleeker) |  Jennifer Garner (Vanessa Loring) |  Jason Bateman (Mark Loring) |  Allison Janney (Bren MacGuff) |  J.K. Simmons (Mac MacGuff) | Beyond Juno  Juno Soundtrack |  More from Screenwriter Diablo Cody |  More from Fox |
Stills from Juno |
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A PERFECT "10," JUNO IS A WITTY, WELL-CRAFTED, SUPERBLY ACTED DELIGHT FROM START TO FINISH
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My wife and I loved this movie so much we subsequently saw it three more times, the fourth time with me sitting in the theater with the Shooting Script book in one hand, and my cell phone in the other to illuminate its pages. I'd watch/listen to the movie, and scribble in the script where the movie on screen differed from what was written. (For the record, the movie is about 40% different from what appears in the Shooting Script.) I did that because I'm a budding screenwriter myself and I wanted to understand how this superb movie was created. So I took it apart the way someone would disassemble a watch or a car engine, examining every part to see why the whole worked so well.
In the end, what I concluded is that Juno is the perfect marriage of a well-crafted script by Diablo Cody, brilliant directing by Jason Reitman, and sublime acting by everyone, but especially Ellen Page, Michael Cera, and Jason Bateman. This is how Hollywood *should* work -- with no one aspect of the film process dominating another.
I don't know what to say about Juno that hasn't already been noted in all these reviews. You know what the story is about: a 16-year-old who gets pregnant, decides to keep the baby and put it up for adoption, and what happens to her life given her decision. Ellen Page deserved the Oscar for her performance, but an Oscar nomination is equally as impressive for an actress who just turned 21.
Yet, if you want to see a study in absolutely sublime acting, watch Michael Cera, who plays her boyfriend Paulie Bleeker. His mannerisms, facial expressions, and dialog delivery are so totally spot-on that he doesn't appear to be acting at all. He truly looks like Paulie Bleeker, a high-school student who discovers his girlfriend is pregnant.
The reason why Juno received so much attention (including a well-deserved Oscar win for screenwriter Diablo Cody) is because this is the freshest, most intelligent, most endearing movie to come along in decades. There's nothing not to love about Juno. Even the quirky soundtrack is perfect. (And I bought it the minute it was released.)
Juno is now nestled in my all-time Top Five movies. True, it's not as "important" as Casablanca, Chinatown, The Godfather, or even When Harry Met Sally. But it represents what I hope is a new level of excellence to which Hollywood should aspire. This is a very funny, heartwarming movie that bears up to many repeated viewings. (Try that with 75% of the movies Hollywood releases each year.)
Lest you think I'm a Juno fanboy (which I am), I will admit this slight criticism of the movie: at times, the dialog is too witty and too quick to come from the mouth of a 16 year old. At times, Juno seems so precocious that you just know she's reading lines. Yet, that can be forgiven with a movie as good as this because the story is just so darn good.
I absolutely, totally, unabashedly love this movie. |
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