Although director Verhoeven, as well as Hauer and cinematographer Jan De Bont eventually became involved in mainstream American movies, Katie Tippel is very much of the European school of film-making, episodic and harsh in its depiction of everyday poverty. The dead puppy at the beginning definitely marks it as contrary to Hollywood's near-zero canine mortality rate. The sexual scenes are graphic to the point of gratuitousness but always grimly non-titillating. Budgetary limits cramp some of the mass street scenes, but generally the film is beautifully shot and ageless in feel. A far cry, certainly from Showgirls, for which Verhoeven was later responsible. --David Stubbs