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The Magnificent Seven (Special Edition)
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The Magnificent Seven (Special Edition) List Price: $14.98
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Features
 Anamorphic
 Closed-captioned
 Color
 Dolby
 DVD-Video
 Special Edition
 Subtitled
 Widescreen
 NTSC

In Theaters : 23 October, 1960
DVD Release : 08 May, 2001
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The Magnificent Seven (Special Edition) description
Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all. The gunmen are cool and capable, with most of the actors playing them just on the cusp of '60s stardom: Steve McQueen, James Coburn, Charles Bronson, Robert Vaughn. The man who brings these warriors together is Yul Brynner, the baddest bald man in the West. There's nothing especially stylish about the approach of veteran director John Sturges (The Great Escape), but the storytelling is clear and strong, and the charisma of the young guns fairly flies off the screen. If that isn't enough to awaken the 12-year-old kid inside anyone, the unforgettable Elmer Bernstein music will do it: bum-bum-ba-bum, bum-ba-bum-ba-bum.... Followed by three inferior sequels, Return of the Seven, Guns of the Magnificent Seven, and The Magnificent Seven Ride! --Robert Horton
The Magnificent Seven (Special Edition) Customer Reviews
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♥♥♥♥ Pure Americana
1,000 Duke Wayne epics wrapped into one, this movie's unending and overwhelming popularity should be no surprise to anyone. I figure, with tongue only partially in cheek, it must subconsciously represent the American historical view of himself: Heroically riding with both guns blazing to the rescue of poor, repressed and freedom-loving people. How else could anyone overlook, on top of all the cliches in this movie, one of the silliest, dumbest sequences in the history of movie-making: The scene where Bruce Colburn draws from his belt, then drives his trusty knife into the fence post as he collapses, shot dead. I realize that this review isn't going to be popular, but forgive me, I've been wanting to vent my spleen since it was released. What's worse, this dumb, adolescent piece of Hollywood Americana keeps popping up on the movie channel of my tv.
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