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Features
• Box set
• Color
• Dolby
• DVD-Video
• Full Screen
• Subtitled
• NTSC
In Theaters : 12 July, 1990
DVD Release : 06 March, 2007 |
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Northern Exposure - The Complete Sixth Season description
And so, the sun sets on Cicely, Alaska. While Northern Exposure somewhat jumped the moose in its last season, there are enough characteristically "weird, almost surreal" moments to make season 6 a nice place to revisit. The auspicious season opener, "Dinner at Seven Thirty," is a typically disarming and disorienting quirk fest that recasts the characters in a parallel New York universe. Dr. Joel Fleischman (Rob Morrow) is married to a high society (and high maintenance) Shelly (Cynthia Geary), Maggie (Janine Turner) is their au pair, Ed (Darrin E.Burrows) is an Armani clad corporate raider, Holling (John Cullum) is a Piano Man, Ruth-Anne (Peg Phillips) is the leader of an internal medicine group, Chris (John Corbett) is an inarticulate fashion photographer, and Maurice (Barry Corbin) is the luxury-highrise doorman. "I'd rather practice medicine in some hick rural outback than stay here another minute," Joel rebels, returning things to what passes for normal in Cicely. Another early gem is "The Robe," with guest star Charles Martin Smith (American Graffiti) as no less than the Devil who tries to corrupt Shelly. But then the series goes off the beaten path. Joel, following a bumpy courtship with Maggie, goes "Up River" to live in a remote fishing village (His final episode is the bittersweet, "The Quest," in which he departs for good for his "jeweled city"). Enter new doctor Phillip Capra (Paul Provenza) and his journalist wife, Michelle (Teri Polo), brie-eating yuppies from Los Angeles. < I>Northern Exposure remained a fish-out-of-water comedy, but these two characters are as bland as tilapia. Though not nearly the hard cases that a resistant Joel was, they, too, succumb to Cicely's charms, and by series' end, Michelle is having hallucinatory forest chats with Joel's former New York rabbi. Happily, the rest of the characters are still good company. Between Ruth-Anne and trapper Walt (Moultrie Patten) and Maurice (Corbin) and Officer Barbara Semanski (Diane Delano), love really blossoms this season. But as Iris Dement sings in the heartbreaking lament, "Our Town," which ends this series on a lovely grace note (and is one of the few originally broadcast songs to survive the transition to DVD), "Nothing good ever lasts." Northern Exposure lasted six seasons, which is good enough. To paraphrase a postcard Joel sends to Maggie in "The Quest," Cicely is a state of mind, and thanks to DVD, there is no need to "kiss it goodbye." --Donald Liebenson |
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Northern Exposure - The Complete Sixth Season Customer Reviews
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♥♥♥♥♥ |
Great Series Finale
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Some call this season the worst of the lot, but these viewers are less interested in N:EX being a story of progressive growth in the characters, and more interested in the surreality of a quirky small town in contrast with a captive outsider (Joel). There is nothing wrong with this view, but there's also no questioning that this season does a great job at giving Joel the final great turnaround he needed in order to complete his "Northern Exposure." He finally allows his captors to take him whole, and becomes the one character in the series that actually manages to grow out of habit. The only really unfortunate part about season six is that the ending doesn't adequately resolve the other characters lives, it's more like a humble wrap-up if anything and it takes way too many episodes to do it in. There could have been a build-up in the last two episodes at least, but they fail to be the tear-jerkers they should have been.
Regardless, the middle of season six--the bulk of it, actually--is dynamite. It has much of the surreality as the earliest seasons, and is especially welcome after this season's spiritless introductory episodes. It was as if everyone finally got over mourning Joel's eventual departure and moved on. In my opinion, Rob Morrow moving on was the best thing he could have done for N:EX: it forced the writers to give his character the satisfaction of conclusion and ask themselves why all the other characters really exist, bringing out the best in everyone.
As a note: this season seems to suffer less from the loss of original soundtracks as some of the earlier seasons, partly due to replacement choices but even more so due to the way that N:EX actors became extremely mature in the way they played their characters to the point that it's almost eerie. If the change in soundtracks bug you to the point of anger you're not paying enough attention to the character acting. People complain about the Dr. Capra character being "bland..." he wasn't, really, but he was incredibly eclipsed by everyone else's comfort with their roles. |
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