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The Postman Always Rings Twice [Region 2] dvd movie.
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The Postman Always Rings Twice [Region 2]
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The Postman Always Rings Twice [Region 2]

Features
 PAL

In Theaters : 20 March, 1981
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The Postman Always Rings Twice [Region 2] description
In The Postman Always Rings Twice, Jack Nicholson teamed up again with his Five Easy Pieces and King of Marvin Gardens director Bob Rafelson for this 1981 version of James M. Cain's hardboiled novel of lust and murder. This version takes a much grittier (and sexually explicit) approach to the material than the slick 1946 MGM version starring John Garfield and Lana Turner. Nicholson plays Frank Chambers, a drifter who happens upon a roadside diner run by Cora Papadakis (Jessica Lange) and her swarthy Greek husband, Nick (John Colicos). Sparks fly, and before you can say l'amour fou, Frank and Cora are making the beast with two backs on the kitchen table. One thing leads to another and they conspire to murder Nick. The movie is still a little too cold and distant to fully convey a hot-blooded passion that leads to murder, but it is a strangely haunting and disturbing film nevertheless. The screenplay is by David Mamet, the photography is by the great Sven Nykvist (Ingmar Bergman's cinematographer), and watch for Anjelica Huston in a supporting role. --Jim Emerson
The Postman Always Rings Twice [Region 2] Customer Reviews
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♥♥♥♥♥ A Good Remake But the Original is a Classic
I saw the 1981 "Postman" when it first came out. The period recreation and photography are excellent. Moreover, the performances are convincing and the sexual heat can be felt. Lange, who hit major stardom the following year with "Tootsie" and "Frances," has been a top notch actress ever since her arrival in Hollywood. Here, she gets her first high profile dramatic role. In her prime, Lange was an incredibly sexy woman. Hot with a capital "H." In this version, Rafelson and company are true to the ethnicities of Cain's characters. Nick is Greek not English and the lawyer is Jewish not Irish. Another reviewer, Dennis Littrell, suggested that 1946 Hollywood was afraid of being offensive. Littrell is mistakenly applying modern PC concerns to the past. Unflattering and even offensive potrayals of different races and ethnic groups were commonplace at the time. Even though Jews of European descent largely ran Hollywood, they were convinced that many audience members didn't want to watch anyone that might be a little different from them. Of course, John Garfield was Jewish but he wasn't playing a Jewish character. Although certain forties films like "Gentleman's Agreement" addressed the issue of bigotry, it wasn't until the fifties that people of different races and ethnicities were up on the screen more often. Nonetheless, the 1946 version with sultry Lana Turner and ruggedly handsome Garfield really captures the era and the tragedy of these doomed characters.
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