Rocketship X-M dvd movie.|
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List Price: $14.99 Our Price: $12.99 You Save: $2 Features • Black & White • DVD-Video • NTSC In Theaters : 02 June, 1950 DVD Release : 06 June, 2000 |
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Rocketship X-M description Before the mid-1950s, science fiction was mostly confined to kid-stuff serials such as Buck Rogers; the things they portrayed were considered pure fantasy, pie in the sky. By 1950, however, things had changed. World War II had brought the German V-2 rocket (the template for many a '50s sci-fi rocket ship), television, and of course, the bomb. Sabrejets and MiGs were doing battle over Korea, and science fiction had become fact. Rocketship X-M (the X-M standing for Expedition: Moon), though primitive and cheap, has a place in film history as being the movie that initiated the '50s science fiction boom. A crew of four men and one woman embark for the moon, but when all are knocked unconscious, the rocket goes into a drift and they wind up on Mars instead. On the pinkish Mars, they encounter a race of extremely ticked-off cavemen who don't want them there and kill off three of their number. Certainly the effects are quaint (the astronauts and ground control communicate via surplus WWII radio equipment), the story a little ridiculous, and the acting stiff--but this was the first serious science fiction movie and was the inspiration for countless films that followed. --Jerry Renshaw |
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| ♥♥♥♥♥ | A FABULOUS MUSIC SCORE |
| Ferde Grofe, certainly one of the best known American symphonic composers, was hired to write the music score for ROCKETSHIP X-M. He was paid $1500 to turn in what may be the best sci-fi score for the movies. When you watch the film, tune in to the heroic main title (which is repeated, in part, later), the "weightless" sound in certain scenes, the romantic theme for Floyd and Lisa, and the eerie sound as the crew discovers they are headed for Mars. After the landing, Grofe uses part of some music he wrote for his "Symphony in Steel," and combines it with the use of the Theremin to create an unworldly sound indeed. On the trip back, the solar opera aspect of this movie is emphasized with the music setting the exact mood it should do for the tragedies encountered. This is a great score, worthy of re-recording in today's sound.
And, if you want to hear another score Grofe wrote for the same studio (Lippert) in 1950, get a copy of THE RETURN OF JESSE JAMES, another worthy listen. |
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