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Features
• Color
• Dolby
• DVD-Video
• Widescreen
• Surround Sound
• NTSC
In Theaters : 2003
DVD Release : 16 November, 2004 |
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I'll Sleep When I'm Dead description
Mike Hodges and Clive Owen, director and star of the stylish 1998 crime drama Croupier, team again in this moody, almost contemplative thriller about a former gangster, Will Graham (Owen), who returns to London after a lengthy self-exile. In a tragic coincidence, Will's brother, Davey (Jonathan Rhys-Meyers), has just committed suicide following a rape by a wealthy car dealer (Malcolm McDowell). Convinced there is more to Davey's death than meets the eye, Will--arguing he is nothing like his old, violent, urban self--slowly evolves again into a formidable criminal. Hodges and screenwriter Trevor Preston emphasize tone and spiritual inference over precise character motivation. Not everything that can be known about Will (especially his rocky psychological state and history with a former lover, played by Charlotte Rampling) is expressly stated. But one can feel his stifled nature rising, paradoxically, toward revenge, and his final actions have an existential power and mystery. --Tom Keogh |
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I'll Sleep When I'm Dead Customer Reviews
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♥♥♥♥♥ |
I'll Sleep About an Hour Into It
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I assume that the title of this movie is taken from the Warren Zevon tune--a song, I might point out, that is about five thousand times more exciting than this dull, pedantic, pathetic, shiftless, soulless, sleep inducing film (I had to watch it over two nights as it lulled me to sleep after thirty minutes on the first viewing). How in the world do you make a Clive Owen, Malcom McDowell, Charlotte Rampling flick SO flat and pointless that it induces drowsiness? The acting is so deadpan and emotionless that it HAS to be good, right? Wow, and count those crime noir cliches in the script--is that a deep, meaningful commentary on the whole genre I smell? And what about all of those plot points (about half of the screen time in the film) that not only DON'T add to the main story but actually distract and detract the viewer's attention to confuse him or her as to what is actually going on--surely this is the sign of a truly meaningful movie experience, right? And let's not forget the lack of resolution for every single one of these meaningless sub-plots, including the old flame with a gun to her head. Oh, wait, I guess that was done so intelligent movie watchers, like myself, can inject a little thought and speculation into this, obviously, interactive experience. Maybe it is all meant to help solidify my strong homophobic worries and fears (just watch the movie and think about that comment). Is this a student art-for-arts-sake film disguised as crime noir? Or is this really just a flat, dull, dumb crime noir film? You be the judge--if you can stay awake.
Hey, in quick response to one of the other "glowing" reviewers--if the movie they DON'T show you is more interesting than the movie they DO show you--that's a pretty good indication it's a bad movie. |
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