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Features
• Color
• DVD-Video
• Subtitled
• Widescreen
• NTSC
In Theaters : 2006
DVD Release : 11 September, 2007 |
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Snoop Dogg's Hood of Horror Customer Reviews
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♥♥♥♥♥ |
Don't Believe the Haters - It's All Good in the Hood
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OK, ya gotta keep it in perspective when viewing a movie like this: The creators of a film calling itself SNOOP DOGG'S HOOD OF HORROR probably aren't wondering which outfits they'll wear to the Academy Awards ceremony.
Now here's a shock, and for some it might even be a spoiler: As intentionally cheap and tawdry as this film is, it's a good movie overall, and one of its three chapters is flat-out great.
Set up as a "Tales from the Crypt"-style anthology, the movie's prevailing moral theme (and, yes, there is a prevailing moral theme to SNOOP DOGG'S HOOD OF HORROR) is that a person's actions on Earth, in the 'hood, can effect their existence in the afterlife.
The first of the episodes is about a female grafitti artist who takes revenge on some neighborhood roughs through supernatural means. Daniella Alonso shines in the leading role. She has confidence and screen presence, and delivers her lines with the clarity of a true pro. However, the segment suffers from shoddy special effects, and could confirm viewers' suspicion that this is a direct-to-video quality release. Still, when one thug impales his own head on a 40-oz. bottle, it's pretty hilarious to hear Alonso intone, "What a waste...of beer."
The second chapter, titled "The Scumlord," is a first-rate social satire with performances that actually do deserve the Oscar consideration they will never get.
The story involves Tex Jr., the spoiled son of a real estate tycoon who inherits (through patricide) his father's property. In this role, Anson Mount is sheer comic genius, delivering polically incorrect lines that will literally make you gasp before laughing your head off.
Tex Jr. is now the landlord of a building housing a group of African-American Vietnam War veterans. He brings along his wife Tiffany (Brande Roderick, who also gives an inspired performance), and essentially uses his aging tenants as slave labor to renovate the house. Tex Jr. is unabashedly racist, regularly refering to his black tenants as "boy." Ernie Hudson, as the outraged tenant Roscoe, turns in a heartfelt performance that resonates with dignity and class.
View HOOD OF HORRORS for no other reason than "The Scumlord," which is a genuine must-see.
The third and final chapter concerns a rap duo similar to OutKast, where the tubby yet prodigiously talented half receives far less adoration than his sleeker, sexier partner (aw, jeeze, the scriptwriters might as well have CALLED this band "OutKast".) Jason Alexander turns up as a label executive (possibly to prove that not ALL ex-Seinfeld cast members are racist pigs), but the segment as a whole is probably the worst of the bunch.
I would recommend HOOD OF HORRORS solely on the strengths of "The Scumlord," though the entire movie is fun to watch and allows those of us in lily-white suburbia a chance to pick up some fly gangsta slang.
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