A Tout de Suite buy bestselling dvd movies, videos find reviews, ratings, prices
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Features
• Color
• Dolby
• DVD-Video
• Subtitled
• Widescreen
• NTSC
In Theaters : 2004
DVD Release : 12 December, 2006 |
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A Tout de Suite Customer Reviews
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♥♥♥♥♥ |
Quietly compelling crime drama
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The story of a young fugitive couple fleeing the law is hardly new, but A Tout de Suite tells it in a refreshing way. Can you imagine a Hollywood crime thriller with no car chases, shootouts, explosions or even fist-fights --where all of the action takes place off-screen? Unthinkable. French director Benoit Jacquot, however, manages to maintain suspense and create fascinating characters without the usual overkill that is typical of American cinema. The film takes place in 1975, and with the black and white photography adding to the minimalist spirit, we could easily believe the movie was made back then as well. Lili (Isild Le Besco), an art student from Paris, falls in love with Bada (Ouassini Embarek), a young Moroccan who turns out to be a bank robber. During a robbery, hostages were taken and two people died, so he is a seriously wanted fugitive. Lili decides to flee with Bada and his partner, and they go through Spain, Morocco and Greece with fake passports and a bag full of stolen cash. There is, as I mentioned, little action; there is also surprisingly little dialogue. Aside from some short but intense sex scenes, most of the film's meaning is communicated through the facial expressions of the characters, especially Lili, who has a quiet intensity and a gift for conveying depths of barely-expressed emotion.
The film is primarily about Lili's experiences. When she becomes separated from the two men in Greece, she is without contacts or money. She is helped by several people who, predictably, want something in return. She must make her way in these difficult circumstances, taking what she needs while avoiding becoming an object of exploitation. True to the rest of the film, the end does not come with Lili revealing what lessons she has learned. We have to take what we have seen and process it through our own senses and minds without the benefit of heavy-handed proselytizing. A Tout de Suite is proof that speed, violence and special effects are not essential for creating significant and memorable movies. Along with the striking black and white scenes of the various locations, the absence of a soundtrack further compels us to pay close attention to the characters and their surroundings. |
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