Trouble in Paradise - Criterion Collection
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Features
• Black & White
• Closed-captioned
• DVD-Video
• NTSC
In Theaters : 21 October, 1932
DVD Release : 07 January, 2003 |
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Trouble in Paradise - Criterion Collection description
Trouble in Paradise is the supreme example of "the Lubitsch touch," that mastery of comic timing, diamond-cutter precision, and Continental sophistication that made Ernst Lubitsch a household name and the real star of every movie he directed. A pair of prodigiously talented, utterly charming scoundrels (Herbert Marshall, Miriam Hopkins) become personal assistants to an aristocratic Parisian widow (Kay Francis). Their target is her fortune, but she's such an elegant lady, and so agreeably smitten with her new right-hand man, that he's tempted to pursue a secondary objective. Marshall, Hopkins, and Francis aren't remembered as major stars, but in this enchanted moment they are sublime. Likewise the peerlessly pixilated Edward Everett Horton and Charlie Ruggles as the widow's stuffed-shirt suitors. Trouble in Paradise is one of the best comedies ever made. There's not a line, word, or pause that doesn't belong exactly where it is, when it is, as it is. --Richard T. Jameson |
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Trouble in Paradise - Criterion Collection Customer Reviews
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♥♥♥♥♥
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Darling, do you remember the man who walked into the Bank of Constantinople
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....and walked out with the Bank of Constantinople? Main character, Gaston Monascu (Herbert Marshall) cheekily asks Lily Vautier(Miriam Hopkins) - his seconds-to-be-beloved in crime & love making.
I AM SO HAPPY THIS MAGNIFICENT FILM IS FINALLY AVAILABLE ON DVD!!!! If you don't love this movie - you must be dead already.
Lubitsch films should be shown to those who are feeling suicidal for they imbue such an intense heady love of life they are a cure-all to any malaise. After viewing a selection or if only one Lubitsch movie again & again (my prescription would be hands down for this one) not only will you joyfully choose life but you will see the world with a healthy beating heart refreshed, renewed & invigorated cheerful soul.
The wondrous deep-love-of-life affect after effect (and during in my experience) of viewing a Lubitsch film cannot be adequately expressed nor explained in mere words no matter what the chosen language may be. Although in this marvelous film (imho one of the top 10 - perhaps even 5 - very best films ever made on American soil) the many "languages" spoken - several or perhaps all of which are nonsensical jibberish (except the English & if I consider the hysterically funny dialogue between Charles Ruggles & Edward Everett Horton I may have to reconsider) executed so comedically well it boggles the mind if the foreign language lines were improvised or actually read as written.
The reason for this absolutely hilarious recurring jibberish language devise in Lubitsch's movies are unknown to me & I prefer it that way. Sometimes learning the behind the scenes of a film simply ruins the exquisite art of it all for me.
The dialogue (the true British, jibberish & Continental American affected accents) are so superbly written & delivered it makes one wonder what in the world is wrong with current day scriptwriters who have a much easier access to not only travel but foreign languages & the nuance of accents so much more than back then. But I believe this film is a fierce testament to the true power of pure unbridled imagination & fine craftsmanship.
The dialogue by (I'm not certain which writer or if it was all due to Lubitsch) Aladar Laszlo (playright)Grover Jones (screen adaption) or Samson Raphaelson is nonpareil. Take for instance Gaston & Lily's first date together:
Lily Vautier: I have a confession to make to you: Baron, you are a crook. You robbed the gentleman in 253, 5, 7 and 9. May I have the salt?
Gaston Monescu: Please!
Lily Vautier: Thank you.
Gaston Monescu: The pepper too?
Lily Vautier: Oh, no, thank you.
Gaston Monescu: You're very welcome. Countess, believe me, before you left this room, I would have told you everything. And let me say this, with love in my heart: Countess, you are a thief. The wallet of the gentleman in 253, 5, 7 and 9 is in your possession. I knew it very well when you took it out of my pocket. In fact, you tickled me. But your embrace was so sweet.
Herbert Marshall has never been so suave, so seductive & so perfectly matched to a film role (although I feel he was absolutely wonderful & is very sadly underrated these days in several like Wyler's, The Little Foxes & Hichcock's, Foreign Correspondent). If the academy ever wishes to create a posthumous award for best performance(s) ever overlooked by the Oscars the very first statuettes should be awarded to Marshall & his comrades in this very very special comedy.
Blonde Venus, Miriam Hopkins is beautiful & excellent as Gaston's anima-equal. Brunette Venus, Kay Francis is gorgeous & just as equally perfect as the wealthy widowed, generous-hearted, Madame Colet (another aspect of Gaston's anima I suppose). Sometimes I delight in imagining what if Lubitsch would have had his male protagonist live happily ever after with both his blonde & brunette goddesses? The mind & heart joyously reel watching this movie. (Lubitsch actually explored such a menage-a-trois in another pre-code film a year later in Noel Coward's, Design for Living!)
With all due respect to a former reviewer who complains that the DVD cover belies the "look" of the film - I feel this opinion is completley misguided. After all, how many films were done in color in 1932? The color jacket of the DVD is not a misleading marketing ploy of Criterion. I mean come on?! Movie posters & magazine film stills were frequently done in color back then even though the film was shot in black & white.
I could even watch this very quotable film with the sound off if only for the pleasure of viewing the exquisite art deco sets by Hans Dreier, the sublime gowns & wardrobe by Travis Banton & excellent cinematography by Victor Milner.
There isn't one weakness or fault in this movie except that I cannot enter the screen & join in the story. That I am afraid may be something which the 21st century virtual world can remedy. If this science ever comes to pass - this is THE movie (withut a doubt) I would choose to live in.
My goodness! And this was what they produced in a so called "depression"!? My mind swaggers & sways for our blessed 21st century to find her grounding & return to the glory, beauty & love of life which the artistic masters, like Lubitsch gave so lovingly to us all.
A more beautiful, funny, magical & grand love of life film you can ever wish to see has never since been made.
(Amazon has listed incorrect names. For correct info on stars, director, producer etc....check out IMDB.) |
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Trouble in Paradise - Criterion Collection dvd movie.