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Unscripted
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In Theaters : 09 January, 2005
DVD Release : 18 October, 2005
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Unscripted description
Unscripted is to cable TV as A Chorus Line is to Broadway: a look at the performers in the smaller roles. Produced by Steven Soderbergh and George Clooney (who also directs), the HBO comedy follows the trials and tribulations of three real-life actors, Krista Allen, Jennifer Hall, and Bryan Greenberg. The 10-part series isn't documentary, soap opera, or sitcom, but a combination of the three. It's up to the viewer to figure out where one ends and the other begins. Complicating matters is the character of Goddard Fulton (Frank Langella, Good Night, and Good Luck), an acting coach--and celebrated lothario--trying to help these young thespians step up their game.

In the pilot, Allen stops by The Late Late Show with Craig Kilborn to talk about her latest role: tequila spokesmodel. It may not be acting, but she has a son to support and it's an improvement on her softcore Emmanuelle past. In the same episode, Greenberg has a walk-on on ER and Hall has a stand-in on The George Lopez Show. In subsequent episodes, Allen guests on Jake in Progress and Hall does stand-in and background work on Mr. and Mrs. Smith and Constantine. Greenberg hits the greatest heights when a recurring role on One Tree Hill leads to a starring role in Prime--opposite Uma Thurman and Meryl Streep. All go to humiliating auditions for parts they don't get.

As expected from a Clooney/Soderbergh production, stars abound, including Noah Wylie, Brad Pitt, Angelina Jolie, Hank Azaria, Keanu Reeves, and Sam Rockwell (Confessions of a Dangerous Mind, which featured Allen and Hall). Like improvised predecessor Curb Your Enthusiasm, most play themselves. Despite greater critical acclaim, Unscripted, like K Street before it, was not renewed for a second season. It deserved better. --Kathleen C. Fennessy

Unscripted Customer Reviews
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Oh my god I hate the acting coach guy. He doesn't give the actors any specific tips or pointers, just constantly tells them they're not good enough. I don't know why they didn't end the series with him getting hit by a bus or something.
At first I thought it was all real, then I realised that it was all staged, but the parts the actors actually got during the show were written into the fiction. The most surprising part is that they actually got established actors from the tv shows and movies the three aspiring actors got parts on to participate in the little fictonal scenarios they wrote on the set. It seems like Jamie Kennedy's new show Blowin Up is based on the same formula, probably highly influenced by this show.
The differences other reviewers pointed out between the first five episodes and the last five were not apparent to me at all.
So what did I really like about it? The believability of the actors casualness, like they're really not aware of the camera, something rarely valued by filmmakers aspiring to capture realism.
The characters, to whatever extent they were characters, go through a lot of self-questioning, having to weigh up all the different things they're being told about who they are or who they should be. Ultimately they were all a little less decisive and resourceful than I would have liked to see, but I guess that's realism, no one really has all the answers, and they did all display an admirable resilience.
It's generally eventfully written, or based on eventful realities. They don't dwell too long on one situation, or keep recycling the same dramas, it always keeps moving.
The only reason not to buy it is the price tag. Damn you, HBO.
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