Vanity Fair (2004) (Widescreen)
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Features
• AC-3
• Closed-captioned
• Color
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• Dubbed
• DVD-Video
• Subtitled
• Widescreen
• NTSC
In Theaters : 01 September, 2004
DVD Release : 01 February, 2005 |
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Vanity Fair (2004) (Widescreen) description
The corsets and high waists of the 19th century meet the lush colors and visual splendor of India in Vanity Fair, a classic novel translated into modern celluloid by Mira Nair (Monsoon Wedding). The very contemporary Reese Witherspoon (Legally Blonde, Election) at first seems to hit the wrong note as Becky Sharp, an orphaned girl who rises to the heights of society using her quick wits and feminine wiles. But as Vanity Fair unfolds, the movie's tone embraces both period decor and modern attitudes, searching for a bridge that will carry us more deeply into a different time. It isn't wholly successful--the movie's end wraps things up awkwardly--but some scenes achieve a surprising and vivid immediacy, in particular one in which Becky's gambler husband (elegant James Purefoy) catalogues his worth for her before going off to the Napoleonic battlefields; love and pragmatism fuse with heartbreaking results. --Bret Fetzer |
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Vanity Fair (2004) (Widescreen) Customer Reviews
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♥♥♥♥♥ |
"Revisionist" director unfaithful to spirit of book, nice period cinematography and costuming
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The movie is flush with colorful period cinematography and costuming. And Witherspoon gives us a very good performance. Anyone who found "Legally Blonde" to be evidence that Witherspoon was of little talent will likely see it to the contrary after viewing this film.
However it is important for the viewer to realize that, while director Nair has been mostly faithful to the book's plot, she has been far less so toward its spirit. Witherspoon's character, Becky Sharp, is represented in the book as far more venomous with only the slightest hint of redeeming ethic. Nair takes a "revisionist" approach, causing the audience to be far more sympathetic with Sharp's plight, painting her far more as the victim of Victorian society's double standard. While the latter might be true, Thackeray's intent in his book was more so to paint that society as filled with an elite of mindless and unethical behavior. That point is, to some degree, muddled by Nair and with full intention.
As example: At one point, Nair gives us Sharp in a extravagant wedding ceremony (and a gorgeous one to watch). The wedding is portrayed as a well earned rescue of Sharp from leaner times, well deserved due to her ethical redemption. In Thackeray's book, Sharp persuaded that suitor to change his life insurance then poisoned him, taking the monies without ever marrying him at all.
If you are looking for a visually stunning period piece, this film should be on your short list. It does not by any means measure up to the superior quality within the cinematography and costuming of "Barry Lyndon," but it is a worthy entry. If you are curious as to the continuing growth of Witherspoon as an actress, this film will also be of interest. However, while Nair is a very talented, accomplished director--she did an excellent job in translating "The Namesake" to the screen, for instance--in this film she's taken a good bit more directorial license than is appropriate.
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Vanity Fair (2004) (Widescreen) dvd movie.