If you think Cooper was a merely the High Noon guy, a lanky Western hero, this is one of the movies (among many) that dispel the idea: his utter naturalness is a gold standard for a certain kind of movie-star acting. Directing him on the set the first day, Vidor worried about the star's mumbling and forgetfulness with dialogue. "Imagine my amazement," Vidor later wrote, "when I watched our first day's work on the screen and observed and heard a performance that overflowed with charm and personality." Anna Sten was another issue: the Russian actress had been brought to the U.S. with great fanfare by producer Samuel Goldwyn, because he wanted to have his own foreign Garbo/Dietrich under contract. Her cool presence failed to generate audience interest, and Goldwyn gave up on her after The Wedding Night. She's a problem, but Cooper keeps it going, and the movie itself is unexpectedly warm. --Robert Horton