| The second of these three films in this anthology is a clever adaptation of Hemingway's famous short story. The screenwriters (Didion and Dunne)turn Hemingway's own short story against him. Their ploy is to present the film as an accurate representation of a brief moment in time and to intimate that Hemingway's short story is, to some extent, an unfaithful--or, at least, incomplete--account of the actual event. It does this marvelous inversion by hinting that the male lead is Hemingway and then having the Melanie Griffith character say, in effect, that "you are going to make a story about this, aren't you, and you're going to change everything around." Touche! Literature, in this act of gamesmanship, becomes an inaccurate representation of "reality" (i.e., the film itself) and Hemingway is the victim of this comic-satiric thrust. The other two short films are fine, but "Hills" prevails as a cinematic coup. |