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Three Soviet Classics (Earth / The End of St. Petersburg / Chess Fever)
I am not the greatest expert on Russian silent cinema, but still have a Masters degree from USC Cinema in History-Criticism. The three great filmmakers of Russian silents were Eisenstein, Podovkin, and Dovzhenko. They could not be more different. Eisenstein told a story cinematically in masterpieces like STRIKE (1924) and BATTLESHIP POTEMKIN (1925);... »
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Storm over Asia
The last of the three great films that V.I. Pudovkin directed in the 1920s, Storm over Asia (1928) is an acknowledged classic of Soviet silent cinema. Filmed largely on location in Mongolia, the film has an authentic documentary feel, though the story is a stirring melodrama, about a young fur trapper who is mistreated by the occupying forces in... »
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The End of Saint Petersburg / Deserter
For most people, classic Soviet cinema basically begins and ends with Eisenstein. Of course, the Soviet/Russian film tradition is a particularly rich one, so there's far more to it than Potemkin and Alexander Nevsky. If you haven't encountered the movies of Dovzhenko, Kalatozov, Vertov, and Tarkovsky, then you've got some wonderful discoveries in sto... »
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Potomok Chingis-Khana [Region 2]
The last of the three great films that V.I. Pudovkin directed in the 1920s, Storm over Asia (1928) is an acknowledged classic of Soviet silent cinema. Filmed largely on location in Mongolia, the film has an authentic documentary feel, though the story is a stirring melodrama, about a young fur trapper who is mistreated by the occupying forces in... »
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